February 22, 2014
What is the discourse around games criticism saying to us? Or, in particular, what is considered part of the ‘conversation’?
February 10, 2014
I’m going to get right to it: any critique or reporting on games that doesn’t include an intersectional perspective on the presence capitalism in games is incomplete.
January 27, 2014
I’ll be the first to admit that the first dozen or so articles I wrote about games bore a strong resemblance to undergrad critical theory essays.
January 10, 2014
On the other end, when does the criticism of anger, or toxicity, creep into taking away survival tactics from the oppressed? We are on a journey to find where the line between anger and toxicity is, anger being a productive tool and toxicity being harmful to innocents.
January 3, 2014
This new year, I made a resolution to be critical without the negativity. I brought a lot of my negative feelings to social media, completely valid negative feelings, that set a tone for people to interact with me.
December 31, 2013
Games I played this year that left an impression on me.
December 27, 2013
It’s always fun to think about how things change over the course of a year, both yourself and the things that surround you. What was games for Mattie in 2013?
December 17, 2013
Game design is political. Not just the field (that’s another minefield to go through), but the designs that makes up each game.
December 9, 2013
I’m aware that people mainly approach my work because it’s a game done by a queer woman, and that is the context it’s allowed to exist in the main conversation.
November 29, 2013
A clear example is Sequence, an interesting RPG ‘rhythm’ game by Iridium Studios. I have scarequotes around rhythm because I don’t think it’s the proper term; games that heavily feature music tend to be ghettoized into a music games category, and I don’t think we really have good words for them.
November 22, 2013
Have you ever thought about what your local play and games culture is like? It might not be an intuitive question or process to find the answer, but through speaking in different cities and countries, I’ve found that locales have their own particular attitude towards games.
November 14, 2013
What does it mean when critics and creators can’t afford to keep up with the tech race?
November 8, 2013
Two weeks ago, I helped run the Queerness and Games Conference at UC Berkeley, a free, public, interdisciplinary, and inclusive space for people who wanted to talk and learn about the intersection of games and queerness.
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